This week, we take a little break from fan missions, as we would like to interest you in an upcoming indie stealth game project, closely related to Thief game series and fan missions.
THF - SITN is an upcoming game developed by Felicitas Brämer aka. 'Lady Glinnevier', founder of Studio Yogensha Naiche and the original developer of Delightfyl. Felicitas has been developing games for nearly 10 years now, got a full art degree and is working with Unreal Engine since 2015 now. With her, there are a few other people who are working on the game directly and will hopefully one day be part of the studio!
Jonfeldt: You have a new game coming out soon: Project THF - SITN. What does SITN stand for?
Felicitas: I cannot yet answer what SITN stands for! However, I can say that THF stands for Thief and that project SITN will revolve around witches and things from Arabic folklore. It's very broad, I know, but we are still in the discovery phase for these elements!
Jonfeldt: That sounds very interesting, a bit different from the usual European based settings. Can you tell me a bit more about the world of SITN? Is the game taking place in the real world, or is it a fantasy one?
Felicitas: It's going to be a twisted mix of both, rather similar to Thief 1. The idea of different dangerous worlds was always appealing to me! But we do not want to lose out on the immersive, realistic elements that made Thief so big. We won't give the player Dishonored-like magic to just kill everyone in two taps.
Click here to expand THF - SITN alpha preview screenshot
Jonfeldt: You already made a stealth game called Delighfyl. Is SITN a continuation of Delightfyl or is it a completely new game setting?
Felicitas: It's an all new thing, the entire code has been rewritten. I needed to make sure that the code downfalls and clunkiness of Delightfyl did not follow us. The new movement is super smooth, and everything is coded in a highly modular fashion. That also means that the universe itself is overwritten now; it was an all-new, blank start!
Jonfeldt: So Delightfyl is not going to get any updates? All your focus is on SITN now?
Felicitas: Yee Delightfyl is fully dead now, hail project SITN!
Jonfeldt: Hail! Other than clunkiness and story, did you maybe want to add some new gameplay mechanics to SITN?
Felicitas: Focus on project THF was to make the basic gameplay stable, super stable. But then I got distracted with Dishonored and The Black Parade... Started adding a few of their features too. A lot inspiration comes from Thief 2 fan missions. The fanbase is so creative; they are really the best source of new ideas! I want to highlight the slide bolts from The Black Parade here, which I copied 1 to 1. Another fantastic game design tool!
Jonfeldt: Is it safe to say that Thief is your biggest inspiration, and fan missions as well? Do you have any favorites?
Felicitas: I have an entire list of favorite fan missions that I love! Godbreaker, The Black Parade, A Better Tomorrow, Vanishing Point, The Turning of the Leaves! There are so many more. I usually stay away from the ones that look bad... I just don't like the Thief 1 or 2 visuals. 
Click here to expand THF - SITN alpha preview screenshot
Jonfeldt: Did you ever try to make a fan mission of your own or did Delightfyl and now SITN become the main creative outlets for you as a Thief fan?
Felicitas: This is a very broad and big question. So I only opened Dromed once and then never again... because at that time I was deeply entangled in Unreal Engine. There is just no point to go back now if I can just code everything myself. I was big into modding 10 years ago, for Skyrim and Oblivion. But those days are long over. I do have multiple projects I work on and SITN is on the throne with one other project as my favorites. Thief holds a special place in my heart.
Jonfeldt: Do you get inspired by other forms of art like films, music or books?
Felicitas: I do, heavily! When we talk about movies I am usually more into special movies with high artistic value. I am not a big Avengers fan, or that weird Rebel Moon thing, or Star Wars... I am a fan of classics like The Thing from 1982, the first Dune movie... the 12-hour version of Lord of the Rings... I am a super duper fan of the Avatar thingy, with the Navi people. I love the Berserk anime and I am a huge fan of Made in Abyss. Brutality, detail, environmental storytelling, is where it is for me. Can you still remember that moment in Skyrim when you first entered Blackreach... and found that little Dwemer house where the alchemist lived in... That memory has burned itself into my soul.
Jonfeldt: So can players of SITN expect to see any of those influences in the game?
Felicitas: I would love to make a really dark and grim game, a game that makes the player feel powerful sometimes and then incredibly weak suddenly. I also want to make detailed worlds that are filled with beauty. I always talk about paradise spots as a guiding principle. Make a really dark and dirty world but hide small pockets of light and warmth inbetween. I am also a big fan of worlds that properly function and are not just set-dressing... This has something to do with interactivity and different dynamic routes for the players.
Jonfeldt: That sounds very interesting. Can you tell me when the game is coming out and where people can get it?
Felicitas: It's still very early to say; we are still planning the first level and are writing the lore. But Steam as a platform would be the main target! And we are big fans of demos, so it's likely that next year we will have something for people already. And not to forget, the tech demo for the game is on itch.io right now, so people can get an early peek.
Go to itch.io page and click "Download" to download the tech demo
Welcome to the FM Author Spotlight, a series of interviews that provides an exclusive peek into the world of fan mission creators. In this episode, we are talking to Squadafroinx, one of the most original authors from our community. Squadafroinx's solo debut in 2016 was Watery Grave, a cramped city miniature oozing with great atmosphere and compelling story. However, he is probably best known for his collaborations with Schlock that resulted in Into the Odd and Alcazar, which are both among the highest rated missions on Thief Guild. In this exclusive interview, Squadafroinx shares with us some insights on the sources of his inspiration, approach to working in DromEd, and most importantly - reveals information on a mysterious project that he is currently working on.
Aemanyl: Please introduce yourself and tell us how you discovered the Thief games.
Squadafroinx: Hello, I am Squadafroinx; a tricenarian man living as an anonymous cog within France’s enormous administration. As for how I discovered Thief, it was during the late noughties; I was searching for a good game and I stumbled upon Thief, that I purchased on a sudden impulse. In retrospective, I think it was one of the best thing to happen in my life, only second to when I discovered the community and its fan missions!
Aemanyl: Do you have a favourite genre, style, or theme of fan missions?
Squadafroinx: Yes! Since I really like miniatures, it’s no wonder that I really like densely detailed tiny and cramped fan missions, such as Sinful Opportunities by Polygon or Precious by AntiMatter_16.
I also really like what I call Neo-TDP or Neo-T2, maps that feel like they are continuities of the original missions but have also an interesting blend of custom resources, they feel so tasteful. Examples include Uncadonego’s The Power of Suggestion, a FM that is more T2 than T2, or of course the recent Neo-TDP trend that follows the 20th Anniversary Contest. I get an absolute blast every time I launch one of those new FMs.
Nonetheless, I also enjoy a lot custom-heavy fan missions such as Horns of Canzo or Bathory, which are among my favourite campaigns.
Aemanyl: Can you walk us through your typical workflow when creating fan missions? Where do you typically begin, and how do you approach the different stages of development?
Squadafroinx: It’s very chaotic. First, I get a rough idea, quickly open DromEd, and work for an hour or two. I think getting rid of the feeling of working on a white page is the most important part: stupid little geometrical shapes just standing there in the void feel eerie.
After that, I like to think of DromEd as a game of straight dominoes, as I try my best to match shapes and textures next to each other in the way it feels the most organic (as you match tiles with the same numbers of pips). I don’t really plan anything. I’d even say I don’t plan at all. When I began using DromEd, I used to plan everything down to a tiniest detail, but I noticed that it’s a chore, it’s hard to follow and it’s uninteresting. Now I just build because it feels cool. Too bad if I end up biting my own tail with impossible stairs, streets that are too twisty, apartments that are too cramped, and doors that lead nowhere.
As for when I hit a wall, I use the good old method of throwing brushes at the wall until something sticks.
My favourite moment is when I can finally use some sounds, to which I put a lot of effort. I think of sounds as an expressway to the mind, for they have the ability to bypass conscious processing and directly affect emotions. They can provide a sense of depth that visual stimuli alone can hardly convey. I put the same effort into writing readables, as I aim to hint a bigger, darker, and stranger world than what is confined within the map.
Aemanyl: What would be your proudest DromEd achievement?
Squadafroinx: I would say making my first conversation, or my first genie. Genies are NPCs that are stuck in blue rooms, and use levers to activate events happening in the map. They are like machinists moving the decors in a theatre. It’s duct tape and sticks at best, but I don’t like all this script-y stuff, I’ll gladly leave it to the nerds.
Aemanyl: What are your main sources of inspiration for your projects?
Squadafroinx: For visuals, I mostly take my inspiration from very busy movies such as The Color of Pomegranates (1969), The Hourglass Sanatorium (1973) or Hard to Be a God (2013); those are movies where you feel like every prop is a symbol to something, every colour has its own significance. I also really love Pieter Bruegel the Elder, Albrecht Dürer, or more contemporary, John Blanche, François Schuitten or Tsutomu Nihei.
As for the atmosphere, my inspiration mostly comes from the memories of how I perceived and understood the world when I was a lad, how everything felt eerie and mysterious. Remember how important a mere toy was? How deeply an insult could wound? Or how absolutely petrifying it was to learn that the sun was going to exhaust itself? I try to un-learn evidence-based reasoning and aim for a dreamy atmosphere, where one feels dwarfed and insignificant in a gargantuan uncaring city, set in a even bigger and even weirder world. I pay particular attention to that feeling of insignificance, as it is in (in my opinion) what makes the players feel like being Garrett the most: one who is out of the system. This is why I mostly build oppressive and aggressive architecture made of crushing cityscapes and vast machinery that makes little to no sense, write cryptic readables that hints of intrigues, hint cobwebs of intrigues, tentacular organisations or customs so ancient it can make one head spin... I’d say the Cyberpunk and Dying Earth sub-genres are my main inspiration.
Aemanyl: Would you ever like to collaborate with a specific fan mission author that you haven’t had the pleasure of working with yet?
Squadafroinx: I think not. It’s not that I’m a control freak or something like that, but I always consider myself a dead weight, as I can by go several months without even opening DromEd. Moreover, I don’t like when my crude building is eating away the spirit of someone’s map, I feel it’s kinda rude. However, I have found Schlock and Firemage to be my DromEd war buddies, as they share my exact vision of what make a FM look interesting and fun to play.
Aemanyl: Are you currently working on any new levels?
Squadafroinx: Yes! I always have what we call never-evers: maps that I began on a whim but never finished, though they are not abandoned either. Finishing maps is not that important to me, using DromEd is just my way of venting off, but after seeing the success of Into the Odd, I try to make an effort. This is not really about me anymore.
But as for maps that aren’t really never-evers (as I’m not the only one on it), I am working on something a little special but that is still top secret, as it’s not a very common theme. In fact, I don’t think it was made at all, save for some demos perhaps. We (yes, we are several on it) want it to be a pure surprise.
As of May 2024, I hope it’s going to be finished for 2025 or some such!
Aemanyl: What are some of your other interests, pastimes, or hobbies that you enjoy in your free time?
Squadafroinx: I enjoy studying dreams, history and esotericism, but most of all, I’m an avid reader, be it books, mangas or bande dessinées. I strive to read and enjoy them as much as I can while I live. To me, the written word is really fascinating: you just stare at scribbles and signs, and you’re hallucinating words, stories, even emotions!
---
Thank you for reading! We hope that you've enjoyed this insightful interview with Squadafroinx. Every Friday you can look forward to a fresh interview with fan mission authors, featuring both the rising stars and the seasoned veterans of our beloved community.
Stay tuned and see you in the next issue of FM Author Spotlight series!
Welcome to the FM Author Spotlight, a series of interviews that provides an exclusive peek into the world of fan mission creators. In this episode, we are talking to none other than Random_Taffer, a well-known and very prolific FM author who is currently working on the ambitious Broken Goddess campaign.
Aemanyl: Please introduce yourself and tell us how you discovered the Thief games.
Random_Taffer: My name is Rob and my first introduction to Thief was probably in 99 or 2000 at a family friend’s house. I used to babysit their kids for a little cash in the summer before I could drive. When it was nap time, I was free to use their PC to play games. They had a bunch that came with their computer and after I got tired of playing Civilization 2, I remember stumbling across Thief: The Dark Project and being instantly intrigued by the title alone. I didn’t get to play much of it while I was there, but remembered talking about it with the owners. They weren’t interested in the game and let me borrow it for a while. After I was done that summer they let me keep it as a gift. I didn’t even know about Thief 2 until later. I was playing RTS tournaments (Total Annihilation: Kingdoms) on Gamespy (RIP) and chose the Garrett avatar. Someone in the lobby asked me about my thoughts on Thief 2. I thought "There’s a Thief 2?!?!" and instantly went out to buy it. However, my family PC couldn’t run it, so I had to wait until after I started a job and earned enough to build my own PC in order to play it and then Deadly Shadows which came out a little while later.
Aemanyl: Do you have a favourite genre, style, or theme of fan missions?
Random_Taffer: As most can probably tell, I love city missions where you can explore by rooftop, but probably the most important part of a fan mission for me personally these days is the story. I really, really love the intrigue that comes with a dark and mysterious evolving story. But I am fine with just paying the rent as well.
Aemanyl: Your extensive collection of published fan missions includes several solo works as well as collaborations with other authors. Arguably, the most well-known and popular among these are the so-called "YanRanTan'' missions, created in partnership with Yandros and Tannar. How would you characterise your collaboration with these guys?
Random_Taffer: The YanRanTan days were really great for me. I learned a lot from Yandros who was already a seasoned author by the time we decided to collaborate. He is now one of my best friends and we talk all the time. Both Russ (Yandros) and Michael (Tannar) are always a joy to work with. Michael really brought a talent for language and story and I knew that if he thought something was good, then we were in excellent shape. We are all different people with different styles that compliment each other quite well. Though Michael has contributed his language skills to my current project, he has seemingly retired from Thief for the time being. Wherever he is and whatever he is doing, I wish him nothing but the best. Russ and I are still hammering away, of course.
Aemanyl: Your FMs, Godbreaker and Feast of Pilgrims, introduce a new protagonist named Conall. Could you provide some insight into his character and explain how he differs from Garrett?
Random_Taffer: Conall is based on William of Baskerville from Umberto Eco’s The Name of the Rose - specifically Sean Connery’s portrayal of him in the Annaud film. But it didn’t start out that way.
When I first began building what would become Godbreaker, I had intended for it to be a Garrett mission. But I wasn’t able to get what I needed for custom voice lines, so I decided to work with another very talented voice actor who could do a range of voices. The name came first- I was searching around for different names that I liked that would fit in the Thief world. I came across the name "Conall" and I believe the website said that the meaning of the name was something like "strong wolf" in Gaelic I believe. I don’t know if that’s accurate, but I thought that was perfect for a Thief character - maybe an older, more mature one. Since I love dark mysteries I thought it would be cool to play with an inspector Drept type character who possibly spent time among the Hammerites.
I asked Jim (MasterThief3) to try out a few different voices that he thought would work and I gave him the name. About 5 minutes later he sent me an audio file of him reading some of the briefing lines in the voice of Sean Connery as a joke. I laughed while listening but then I remembered William of Baskerville and it started to fall into place. A lot of people think it’s silly, but I don’t care - I love the character.
Aemanyl: You are presently engaged in creating an ambitious campaign titled The Broken Goddess, set to be the next installment in Conall's adventures. Rather than asking mundane questions about progress on the project, I will approach this from a different angle. Considering its expansive scale spanning over ten missions, what environments, themes, and design styles are you eager to explore with The Broken Goddess?
Random_Taffer: I’m eager to create two unique cityscapes that are different from the City we all know - that of Cyric and Bohn. I want you to instantly be able to tell where you are based on the architecture and general feel. I did not care for my first attempt at Bohn, so last year I began rebuilding it from scratch. I am nearly finished with it now and am very pleased with how it’s turned out.
I am also very excited to try my hand at more remote exotic locations. There are a lot of different environments I intend to try. Apart from that, I’m excited to try to implement more detective type elements as well as some sort of “co-op” things that were done in Mission X as well as Among Two Storms. We’ll see what I can convincingly pull off that doesn’t feel too gamey.
Aemanyl: What would be your proudest technical achievement in DromEd?
Random_Taffer: Yandros usually does most of the scripting for me now so I can focus on my strengths as a builder. But before we began to collaborate more I did do Captain of the Guard by myself and it was very difficult to pull off. So probably that.
Aemanyl: You are a musician and you've had one of your songs recently featured in The Black Parade. Could you elaborate more on this passion of yours and share where people can listen to your music?
Random_Taffer: I love telling stories through many different mediums. Thief is one way, but I also love to write stories as well as music. I’ve been in a number of musical projects over the years and my biggest musical passion is certainly singing. My current project which is gaining the most traction is definitely my band Marmot - which is the music featured in The Black Parade credits. I also wrote the intro track as well with my friend from a synth-wave project we started together called Citizen.
You can visit our social media pages as well as search for us on whatever streaming services you prefer. Our website should have links to whatever you’d like: https://www.marmotband.com/
You can find our EP we released last year as well as 3 more singles (Including “The Brand” from The Black Parade) on Bandcamp. All the main streaming services should be active as well, so whatever you use to listen to music- we should be there.
Aemanyl: Is there anything else you would like to add or share at the end?
Random_Taffer: Yeah, if any mappers out there want to try their hand at a Broken Goddess map, we could definitely use some more help. We could also use more artists interested in contributing to briefings and cut-scenes. People come and go, no hard feelings. Feel free to reach out to Yandros or myself. The only thing we do not need more of right now is audio people. We’ve got plenty of those.
---
Thank you for reading! We hope that you've enjoyed this insightful interview with Random_Taffer. Every Friday you can look forward to a fresh interview with fan mission authors, featuring both the rising stars and the seasoned veterans of our beloved community.
Stay tuned and see you in the next issue of FM Author Spotlight series!
Welcome to the FM Author Spotlight, a series of interviews that provides an exclusive peek into the world of fan mission creators. In this episode, we are talking to StinkyKitty. StinkyKitty is known for his handful of impressive TDP missions taking place in atmospheric environments such as abandoned ruins, deep catacombs, or remote strongholds.
Aemanyl: Please introduce yourself and tell us how you discovered the Thief games.
StinkyKitty: I’m known as StinkyKitty in the Thief community and I live in southern Minnesota, U.S.A., and I discovered Thief during my grade school years via an Eidos Demo disk containing the Overlord’s Fancy section of Thieves Guild. The demo ended before Garrett entered the sewers, therefore I didn’t get lost inside the notorious Guild maze until I later (how much later, idk) played the full game, and even then, I still enjoyed Thieves Guild and do to this day, as well as all of Thief Gold. (I grew up with Thief Gold rather than TDP, so the additional three levels don’t feel out of place for me.) I played The Metal Age not long after.
I didn’t know there was an FM community until around 2010. It blew my mind that it was possible to build my own mission. At first, I was leery about learning Dromed, and that FM building was beyond me, but I guess I couldn’t help myself.
Aemanyl: The fan missions that you have released thus far, including your arguably most popular creation, Gems of Provenance, perfectly evoke the surreal and forlorn atmosphere of supernatural missions from The Dark Project. Can you tell us what captivates you about the first Thief game?
StinkyKitty: The story, for one, particularly the cutscenes. The tension in the gameplay. And of course, the atmosphere. Not even Thief 2 could replicate it quite exactly.. Is it the lighting? The story? The gritty environments? Perhaps all of these, or perhaps it’s the feeling of isolation. In Thief 2, there’s Keepers, Victoria, and even Basso in the background, influencing Garrett’s decisions. In TDP, it's only Garrett. It feels like only you.
Aemanyl: Do you have any favourite fan missions, or perhaps a specific style of levels that you are fond of?
StinkyKitty: I enjoy TDP FMs, especially the ones that came out of the 20th Anniversary Contest, such as Scarlet Cascabel, Lost Among the Forsaken, and Tomb of St. Tennor, and others. Well, undead missions seem to be the pattern. City missions are my least favourite, which isn’t saying much, because it’s Thief and I still enjoy those missions too, as well as the myriad of T2 missions.
Aemanyl: Can you walk us through your typical DromEd workflow? Where do you typically begin, and how do you approach the different stages of mission development?
StinkyKitty: I’ll start with a simple story idea and decide on a specific environment to carry it: Tomb and mine? Tomb and waterworks? Tomb and recluse mage’s abode? Then I’ll search online for architecture that suits my visual and gameplay tastes, and perhaps sketch out a section of the level’s floor plan. It sounds like a lot of planning, but really it’s only a few minutes of preparation before I start building. I’m a tad impatient. Once I lay down some basic architecture and feel out the space, the rest of the level more or less flows out from there, based on intuition rather than rational thought. Definitely not based on rational thought.
As I build, I throw in textures, light, sound boxes, AI, objects, and music as I see fit. Typically, I design around what’s most important in a certain space. If the room contains a special piece of loot, the lighting and architecture will showcase it. If a room’s main challenge is an AI, I’ll try to make sure the terrain accommodates both the AI and the player. Or I’ll plug in a seemingly insignificant detail before anything else if it’s important to the story. A chaotic way to build, but it keeps my interest better than building all terrain at once, then texturing, then room brushing, and so forth.
Aemanyl: What would be your proudest technical achievement in DromEd? Also, tell us more about the Infinity Crate!
StinkyKitty: I’d say the guard riding the elevator at the beginning of Valley of the Burned, as well as the Hammerite attacking the control box in the next level. I always chuckle at those bits.
The Infinity Crate came about through experimentation with inventory objects, just to see what was possible. Once I discovered how to spawn infinite objects from the inventory, a crate seemed like a logical option. The player could now get anywhere in the map, including out of bounds (usually one of my goals) as long as they don’t hit the object limit. Now every level I make must contain an Infinity Crate.
You can also slow-fall with the Infinity Crate, even glide.
Aemanyl: What are your main sources of inspiration for your projects?
StinkyKitty: Whenever I stumble upon an image of dynamic architecture on Facebook or Google, I save it to a reference folder. Otherwise I simply pull from my own experiences and imagination. Though pulling from one’s imagination is not always so ‘simple’.
Aemanyl: Are you currently working on any new levels?
StinkyKitty: I’d rather not leave people with unrealistic expectations. If I release something, I release something. If I don’t, I don’t.
Aemanyl: What are some of your other interests, pastimes, or hobbies that you enjoy in your free time?
StinkyKitty: I woodwork and homestead. I built my own cider press this past year and brewed a batch of hard cider. Dangerously delicious.
I hike from time to time when the urge hits me. In 2014, I thru-hiked the entire Appalachian Trail in five months. What a journey that was! Sometimes while walking I’d listen to Thief: The Golden Soundtrack for a touch of ambience.
Growing up, my siblings and I played our own version of Thief in our old barn. We built wooden swords and giant wooden hammers and even made arrows with foam tips for a small bow we already owned. We put up walls to make the barn more sneakable, going so far as to add secret passages. The ‘guards’ patrolled and muttered lines from the game while the ‘thief’ snuck around the building. Good times. Needless to say, Thief amplified our young imaginations, and still does to this day.
Aemanyl: Is there anything else you would like to add or share at the end?
StinkyKitty: If you’re a mission author, build for yourself. You may think the bar is too high now that The Black Parade is released, and people expect that level of detail, but you only need to be better than yourself. Ask yourself: What do you think is fun? What do you think is challenging? What would you find creepy, or impactful, or meaningful in your mission? Some players may not like your vision, but others will love it. They will feel the passion in the project. Try to please everyone and you will please no one, including yourself.
---
Thank you for reading! We hope that you've enjoyed this insightful interview with StinkyKitty. Every Friday you can look forward to a fresh interview with fan mission authors, featuring both the rising stars and the seasoned veterans of our beloved community.
Stay tuned and see you in the next issue of FM Author Spotlight series!
Welcome to the FM Author Spotlight, a series of interviews that provides an exclusive peek into the world of fan mission creators. In this episode, we are talking to JarlFrank, who has produced a number of interesting and original maps in the last decade.
Aemanyl: Please introduce yourself and tell us how you discovered the Thief games.
JarlFrank: Hey! I’m JarlFrank, and I got into the Thief games in 2009 after reading much praise about them on RPG Codex. I had known about them before that, but always assumed I wouldn’t like them because up to that point, my experience with stealth in games had been limited to forced stealth sections in action games, and those are usually horrible.
But when people whose opinions I trusted kept recommending Thief, I gave it a shot - and ended up loving it. When I had finished Thief 2, I wanted more. I knew about the cancelled Thief 2 Gold, so I googled “Thief 2 expansion” to find out more about that cancelled project. That led me to discover T2X: Shadows of the Metal Age. I made a thread about that on RPG Codex, and the resident Thief veterans informed me that other fan missions exist. Someone made a dedicated Thief FM thread, which became one of the largest ongoing FM discussions outside of TTLG!
I played T2X in summer 2010, and my first FMs in late 2010/early 2011. From that point onward, Thief and its FMs became my most-played game of all time.
Aemanyl: Do you have a favourite genre, style, or theme of fan missions?
JarlFrank: I have a soft spot for several FM genres and styles. One of my favourites tends to be under-appreciated at large: FMs with a distinctly cozy atmosphere. Christine is the absolute master of this style, all of her FMs make me feel at home (not surprising, considering she lives in the same region of Germany as I, and her style evokes local small towns). T2X also had plenty of missions with a cozy feel to them, mostly due to the custom textures and models they used. While the City Sleeps is an extremely cozy city mission.
At this point, I’ve become so familiar with Thief and its FMs that it’s become a “comfort place” for me, so I enjoy the missions that lean heavily into that vibe.
Another underappreciated theme I really like is tombs/dungeon crawls. They used to be rare, but in recent years quite a few excellent Bonehoard-style missions were added to the FM library. It’s a style that seems to have gained some popularity recently, with several entries in the TDP 20th Anniversary Contest and two missions in The Black Parade going for it. When I started playing FMs, tomb crawls were few and far between.
Aemanyl: Can you walk us through your typical workflow when creating fan missions? Where do you typically begin, and how do you approach the different stages of development?
JarlFrank: It depends on the style of mission. I currently have 4 WIP FMs that I fiddle around with whenever the Dromed mood strikes me. Two are mansions, two are cities. For a mansion mission, I just make a large airbrush and build the mansion inside of it. For a city mission, I first place Garrett’s starting position, then the destination that contains the main objective, and slowly build the connective tissue between them.
I tend to complete the brushwork first, then place objects and AIs, and roombrush only at the very end. I assume that’s a common practice, since any changes in architecture will screw up existing roombrushes. For testing, I always add a couple of rope arrows into my inventory and run through the level sections I just designed, to make sure they work well and allow for creative traversal.
Aemanyl: What would be your proudest DromED achievement?
JarlFrank: The floating animals in The New Sheriff!
Aemanyl: What are your main sources of inspiration for your projects?
JarlFrank: My missions tend towards the humorous, making light of common FM tropes and elements of the Thief universe. All the inspiration is in the games and their extended lore - Hammerites, Mechanists, nobles, thief guilds, wizards… there are so many interesting factions in the City, I don’t really need outside inspiration to come up with ideas!
The original worldbuilding for Thief 1 and 2 is quite excellent, and in twenty years of fan missions so much has been added and elaborated on. It’s an excellent world that stokes the imagination and keeps making me imagine new scenarios for Garrett.
Aemanyl: Would you ever like to collaborate with a specific fan mission author that you haven’t had the pleasure of working with yet? Alternatively, are there any creators whose style is similar to your vision of design?
JarlFrank: I work too slow to be a good collaborator, but stylistically I would probably vibe well with KFort. Sadly she retired from making FMs before I even started playing them.
Aemanyl: Are you currently working on any new levels?
JarlFrank: I have two missions that are pretty far along: a modern mansion where the brushwork is mostly complete and I just need to find some decent objects (if anyone knows a good source for low poly modern furniture, please drop me a message! low poly meaning low enough for DarkEngine to load it). And a city mission with an art gallery as its main location of interest.
Aemanyl: What are some of your other interests, pastimes, or hobbies that you enjoy in your free time?
JarlFrank: I like playing other games than Thief, mostly RPGs and strategy games. I’m also an avid reader of adventure fantasy fiction: classic authors like R. E. Howard and C. L. Moore, but also modern authors writing in the same vein like D. M. Ritzlin or Byron A. Roberts.
I also like to take long walks through my quaint little town and look at the houses I walk past. Oftentimes I see architectural details that would be fun to build in Dromed.
---
Thank you for reading! We hope that you've enjoyed this insightful interview with JarlFrank. Every Friday you can look forward to a fresh interview with fan mission authors, featuring both the rising stars and the seasoned veterans of our beloved community.
Stay tuned and see you in the next issue of FM Author Spotlight series!
Welcome to the FM Author Spotlight, a series of interviews that provides an exclusive peek into the world of fan mission creators. In this episode, we are talking to Pookaball, the author of Nightwalk, an oldschool city mission designed for the One Million Units Contest in 2021.
Aemanyl: Please introduce yourself and tell us how you discovered the Thief games.
Pookaball: I first played Thief Gold as a teenager around 2012, maybe earlier. I'm not sure if I played Dishonored first, but at that time, I knew about Thief from an interview with Warren Spector in which he described his time working on Deus Ex, and I was familiar with some elements of the steampunk genre from other media. When I got Thief Gold, I was captivated by its cutscenes and worldbuilding. I played until Bonehoard or something like that and didn’t get very far. But the game stuck with me, and I revisited it a while later, getting stuck in Thieves Guild because I was bad at navigating, and it wasn’t until 2018 or 2019 when I came back to it and completed the whole game and later The Metal Age. I found fan missions at the same place where Thief was being discussed, and I downloaded a pack of some classic FMs but never got around to playing them between my bouncing off the game the first time and system changes. In 2020, however, I was hooked on the FMs. There was a lot to catch up on, and by then I think the 20th-anniversary mapping contest for TG had happened.
Aemanyl: Do you have a favourite genre, style, or theme of fan missions?
Pookaball: I prefer Thief Gold to Metal Age because of the more noticeable dark medieval themes. In terms of story, I like low-stakes slice-of-life FMs where you’re not trying to save the world and are just getting by, doing routine burglary, and maybe detective work along the way. I like exploring abandoned crypts and prowling the city streets. I like missions where you start far away from the objective and can choose to approach it in a number of ways. Tiled floors are the bane of my existence.
Aemanyl: Can you walk us through your typical workflow when creating fan missions? Where do you typically begin, and how do you approach the different stages of development?
Pookaball: To me, the ideal way to start making a mod for a game is to make some notes and sketches on paper to decide what I want to do before opening up the editor. Then I try to build the whole thing, starting to finish, in a very barebones, blocky way, and place the AIs and patrol points, objective items, and some loot, maybe lighting. It’s easier to change the flow of the mission when everything is at a large grid size. Then I would go over the brushes and add actual architecture and texture the brushes, making sure locked doors, light switches, and other mechanics work. Room brushing comes when all the architecture is done. Actual objectives, readables, and soundscapes come last. Pretty much, I follow the stepwise building method.
Aemanyl: What would be your proudest DromED achievement?
Pookaball: I haven’t made the big FM I'm proud of yet, but in order to get there, I have enjoyed learning to wrangle the editor and getting in a state of mind that lets me get to where I need to go. I don’t write scripts for Dromed, but I did customize some keybindings, and I know how to make custom textures, sounds, and models and get them in the game.
Aemanyl: What are your main sources of inspiration for your projects?
Pookaball: Classic books like Balzac, old masters’ paintings, European sci-fi comics (Moebius), fantasy and horror movies, biographies of medieval and Renaissance people, folklore and mythology, 3D renders of level designs for other games, and most importantly, other FMs.
Aemanyl: Would you ever like to collaborate with a specific fan mission author that you haven’t had the pleasure of working with yet?
Pookaball: I would like there to generally be a more alive mission-making community. Unfortunately, Thief just isn’t that popular as a game. Thief FMs deserve more eyes on them.
Aemanyl: Are you currently working on any new levels?
Pookaball: Currently working on an FM that lets you explore caves in an icy region, far outside the City.
Aemanyl: What are some of your other interests, pastimes, or hobbies that you enjoy in your free time?
Pookaball: Eeking out a living doing game art. I live for pixel art and low poly modeling. Also, I love Scottish Country Dancing.
---
Thank you for reading! We hope that you've enjoyed this insightful interview with Pookaball. Every Friday you can look forward to a fresh interview with fan mission authors, featuring both the rising stars and the seasoned veterans of our beloved community.
Stay tuned and see you in the next issue of FM Author Spotlight series!
Welcome to the FM Author Spotlight, a series of interviews that provides an exclusive peek into the world of fan mission creators. In this episode, we are talking to Swiz. Swiz debuted as an author in 2018 by contributing to the TDP 20th Anniversary Contest with his classic manor level called Mother Redcaps Last Request. Last year, he released a post-Mechanist city mission titled Rockpool.
Aemanyl: Please introduce yourself and tell us how you discovered the Thief games.
Swiz: Hello! I'm Swiz, author of 2 Fan Missions: Mother Redcaps Last Request and Rockpool.
I missed a lot of classic PC games at the time due to a combination of university and being a terrible Amiga fanboy. I got into Thief, Deus Ex etc. around the mid 2000s - I've still got the budget re-release I bought (the dual-sided DVD Sold Out release of TDP + TMA) somewhere.
Aemanyl: Do you have a favourite genre, style, or theme of fan missions?
Swiz: It's a cliche, I know, but I'm still a sucker for the Sinister Mansion. But thinking about it, my absolute favourite FMs are city-based ones - Broken Triad, Seven Sisters first levels, and Disorientation. They can be large and sprawling, but still have enough landmarks to stop you getting overwhelmed and lost.
Aemanyl: Can you walk us through your typical workflow when creating fan missions? Where do you typically begin, and how do you approach the different stages of development?
Swiz: Nothing too outlandish - basic geometry and texturing, followed by objects and enemies, then a final detail pass. I tend to bounce around areas otherwise I obsess with fiddling with texture alignment for ages. I use GitHub to keep everything backed up.
Aemanyl: What would be your proudest DromED achievement?
Swiz: From my released stuff, I still like the overall atmosphere of the dockside area in Rockpool. For unreleased things, finally mucking about in Anim8or to step outside purely stock missions.
Aemanyl: What are your main sources of inspiration for your projects?
Swiz: From a mission-type point of view, the FMs I mentioned before. From a setting point of view I was thinking about gaps in the Thief story where something could be slotted in, and the downfall of the Mechanists seems mostly unexplored. It also gave the opportunity to have little side-stories in the readables (infighting after Karras' death, civilians going after them with torches and pitchforks, guards looking the other way, etc).
I also had a vague notion of a more sort of British heist movie feel to them, all thuggish gangs and bent coppers. But that only really comes across in some of the names (Mother Redcaps is a pub I've drunk in, and Rockpool is Liverpool by way of another mythical bird. Bonus points to whoever gets what no-nonsense female guard Inspector Shallott is a reference to).
Aemanyl: Would you ever like to collaborate with a specific fan mission author that you haven’t had the pleasure of working with yet? Alternatively, are there any creators whose style is similar to your vision of design?
Swiz: Honestly I don't think I'd be comfortable collaborating yet as I'd need to earn my spurs a bit more. Redcaps is very much Baby's First FM, and Rockpool largely did what it set out to do but what it set out to do wasn't hugely ambitious.
Aemanyl: Are you currently working on any new levels?
Swiz: Yes, expanding on the Mechanist themes I mentioned before. Needs a final push, but unfortunately work's gone mad.
Aemanyl: What are some of your other interests, pastimes, or hobbies that you enjoy in your free time?
Swiz: I got into cycling a bit during the pandemic to stop going stir-crazy. I need to get back into Pico8 (https://www.lexaloffle.com/bbs/?uid=45932) as well, that was good fun to muck around with.
---
Thank you for reading! We hope that you've enjoyed this insightful interview with Swiz. Every Friday you can look forward to a fresh interview with fan mission authors, featuring both the rising stars and the seasoned veterans of our beloved community.
Stay tuned and see you in the next issue of FM Author Spotlight series!
Welcome to the FM Author Spotlight, a series of interviews that provides an exclusive peek into the world of fan mission creators. In this episode, we are talking to Snake, the author of recently released A Thief`s Training, a very competently made daylight mission for Thief Gold.
Aemanyl: Please introduce yourself and tell us how you discovered the Thief games.
Snake: My name is Colm and I am originally from Galway in the west of Ireland but have been living in Dublin for the past 12 years. I am an accountant by background and currently work in banking regulation.
My introduction to Thief is probably an experience shared by many others. It began with a demo disc which came with the February 1999 edition of PC Zone, a UK video game magazine. I still have a copy of the disc. I was only 11 years old at the time so I can thank my older brother for purchasing the magazine in the first place. I have vivid memories of us playing that demo disc repeatedly, which contained A Keeper’s Training and Lord Bafford’s Manor and I think for that reason, both those missions are ingrained in my memory more than others, and might explain the setting of my debut mission to some extent. We eventually got our hands on The Dark Project and there was something about it that hooked me instantly, it was different to anything else at the time (most first-person games were shooters) and it evoked a unique and memorable atmosphere which I think is still unmatched today.
There are moments from TDP that still resonate with me from the first time seeing them, like the twist in the cutscene following Return to the Cathedral. I got stuck in The Haunted Cathedral for a long time that I nearly gave up on Thief entirely, and truth be told, I was probably too young and scared to play the game. I did obviously return to it after a short break and remember getting Thief Gold, Thief II, and Deadly Shadows as they were released. It was in the void left following the final game of the trilogy that I discovered T2X in 2005 and with that, TTLG and the world of fan missions.
Aemanyl: Do you have a favourite genre, style, or theme of fan missions?
Snake: It will probably come as no surprise that TDP/TG is my favourite game of the series and I naturally tend to prefer fan missions made for it as a result. There is a style of mission that is hard to describe but I think I’ve heard some refer to it as "urban mystery" and Melan is a master of this with Bad Debts, Disorientation, and Rose Garden being good examples. Skacky has put his own stamp on it too with Endless Rain and Sound of a Burrick in a Room.
Other genres I enjoy are those missions which recreate that other-worldly surrealism of The Dark Project. I am thinking here of missions by Schlock and Squadafroin such as Alcazar and Into the Odd.
Not to dismiss T2 entirely, I really enjoy a well-made mansion mission, with Heist Society, Duncan Malveine, and Conspiracies in the Dark springing to mind.
Finally, I enjoy supernatural/horror themed missions as well, but I tend to prefer the feeling of dread, or what you don’t see, as opposed to an out and out undead filled map. Horror can be created through atmosphere without ever encountering a haunt or zombie.
Aemanyl: Can you walk us through your typical DromED workflow? Where do you typically begin, and how do you approach the different stages of mission development?
Snake: My experience is based on building my one and only mission to date and given that I was very much learning as I was going, this may not be best practice!
I started A Thief’s Training by rebuilding the exit corridor from A Keeper’s Training. That was a great learning exercise, as rebuilding a small area from an original mission (OM), by reference to the OM itself in Dromed, helps you pick up some of the basics quite quickly (but almost all my Dromed knowledge came from Nicked`s excellent tutorial and help/support from the Dromed Discord and TTLG). If I were to give one tip to any new Dromeders, it would be to look at other missions in Dromed and figure out how they built or implemented certain things.
From there, I just built room by room without any plan as such. I had a general idea in my head of areas I wanted, like a main entrance hall, a scriptorium, a library, etc. but didn’t sketch any of that out. I used many photos of real places and tried to recreate those spaces in Dromed or at least use them as a base (more on that in my next answer). I also had no story, and it took me quite a while to figure out a reason for Garrett to return to the Keeper training compound. That part came quite late in development. In fact, the entire outdoor starting area was the last part built for the mission.
I tend to try and fully complete all processes for a room or area before moving on, so for example, I build the geometry, texture it, and roombrush it before moving on. I understand other authors might use dev textures and complete final texturing and roombrushing at a later stage. The processes I left until nearer the end were sound design, AI placement, readables, objectives, and some more technical aspects like setting up scripts and traps and the like. A Thief’s Training was largely complete from a geometry/brush perspective by Q3 of 2023 but it took many more months to implement those other elements (along with taking a break to play The Black Parade… and getting married!).
Aemanyl: What would be your proudest achievement in DromED?
Snake: This a short and easy answer given my equally short output in Dromed - finally finishing and releasing a fan mission. I take particular pride in this considering I first took up Dromed all the way back in 2005 and abandoned it for many years before returning to it at the beginning of Covid and lockdowns, where I had a bit more time to learn it all again. Even though it took me almost 20 years, I got there in the end!
Aemanyl: Your debut mission, A Thief’s Training, evokes a raw and austere atmosphere that is reminiscent of the early Middle Ages. Some of the readables were inspired by the poetry of William Butler Yeats and Martial. What are your main sources of inspiration?
Snake: A Thief’s Training started life as a potential entrant for the New Dark contest, a deadline I missed by some margin. Linking back to my earlier answer on how I discovered Thief, I spent a very long time replaying A Keeper’s Training from the demo disc and I remember my 11-year-old self being fascinated by that final corridor and where those doors might lead to. So, I thought it would be interesting to use the theme of the New Dark contest (create a new mission inspired by an original mission) and explore this idea by expanding on the original Keeper training compound. There was something about the daytime setting of the training mission (and Cragscleft) that made those missions stand out and resonate with me many years later, especially that contrast between the clear blue sky and birds singing, with the more dark and foreboding interiors, shadows and droning ambient music.
I rely quite heavily on photos for architectural inspiration. Many of the areas in A Thief’s Training are based on real life places. For example, the Restricted Library is inspired by the “Long Room” of the library in Trinity College Dublin and the internal cloister area is based on a similar structure in the fortified monastery of Lérins on the island of Saint-Honorat. Deadly Shadows was an inspiration for things like the Council Tower and sound design while other elements come from the small glimpses of things we see of the Keepers in TG/T2 such as the Interpreter’s Tower (also how this was implemented by Melan and others) and the scriptorium (eagle-eyed players might see that this comes from the first Keeper intro cutscene of TG, I even put imperfections in the pillar of the window separating the two sections of the scriptorium which can be seen in that briefing video).
In terms of inspiration for the story, setting, and readables, I tried to be authentic to a medieval setting, without it being too “real world” based. Many of the names are based on early medieval Anglo-Saxon names and some of the readables employ Elizabethan English, but I found these quite difficult to write so that style is limited to 2 or 3 readables. Most of the readables in the Keeper Compound reference other FMs or are loosely based on medieval political intrigue, particularly those referencing noble families and banking. Whenever I come across an article on an obscure or interesting medieval matter, I bookmark it for later reference. For example, most of the stories in the newspaper in the inn are based on real life peculiar medieval incidents.
As you have highlighted, I included two readables more or less verbatim from real poets - Yeats and Martial. The Yeats poem is only partially included (the beginning and end) and it is edited to remove real world references and replace them with Thief world ones. The Martial epigram is also edited (and I actually found it difficult to find a consistent version of it as it seems there have been many translations over hundreds of years).
Finally, many authors and missions inspired the design, particularly Alcazar, and there are some areas in the mission which should be instantly recognisable to those who have played Alcazar.
Aemanyl: Are there any creators whose style is similar to your vision of design?
Snake: As indicated above, and I am in no way putting myself in their category, but I did take a lot of inspiration from authors like Schlock and Squadafroin in particular but also the rest of the Feuillade team (DirkBogan, DrK, Firemage, marbleman, and Skacky). I am a big fan of all their work and I like how they have brought a lot of love and care back to The Dark Project, raising interest in that game and inspiring more fan missions to be created for it.
Aemanyl: You have recently published your debut mission. Any specific plans for creating more levels in the near future?
Snake: Right now, I will take a short break from Dromed, but not for long as I don’t want to forget everything I’ve learned or get out of practice. I have some ideas in my head, some of which had seeds planted in A Thief’s Training. So hopefully I can begin work on something new soon.
Aemanyl: What are some of your other interests, pastimes, or hobbies that you enjoy in your free time?
Snake: I enjoy film, reading, travelling, ballet, and art. Also watching, but no longer playing, football (fan of Liverpool) and snooker.
---
Thank you for reading! We hope that you've enjoyed this insightful interview with Snake. Every Friday you can look forward to a fresh interview with fan mission authors, featuring both the rising stars and the seasoned veterans of our beloved community.
Stay tuned and see you in the next issue of FM Author Spotlight series!
Projekt Dark Mod rozwija się już piętnasty rok z rzędu. W tym czasie ulepszyliśmy nasz silnik gry na niezliczone sposoby i rozrosliśmy się do ponad 170 misji!
Aby uczcić naszą wytrwałość i lata nadchodzących ulepszeń, organizujemy konkurs z okazji 15. rocznicy wydania wersji 1.0!
W przeciwieństwie do większości ostatnich konkursów, nie ma tu określonego tematu, a my po prostu będziemy oceniać w oparciu o standardowe wskaźniki fabuły, rozgrywki i grafiki, ze standardową punktacją ważoną.
Zgłoszenia do konkursu należy dostarczyć przed 16 października, aby gracze mogli rozpocząć grę i świętować 17 października
Welcome to the FM Author Spotlight, a series of interviews that provides an exclusive peek into the world of fan mission creators. In this episode, we are talking to Froghemoth, the author of Condemned Catalogue, a compact yet superbly crafted and atmospheric level for Thief Gold.
Aemanyl: Please introduce yourself and tell us how you discovered the Thief games.
Froghemoth: Hello, I'm Froghemoth. I discovered the series in 1998 through the Thief: The Dark Project demo found on a game magazine disk. Being a child at the time, I was too scared to even leave the shadows and risk facing Bafford's guards. But the sounds, cinematics, and overall vibe of Thief ingrained themselves in my mind forever since.
Aemanyl: Do you have a favourite genre, style, or theme of fan missions?
Froghemoth: There are two broad categories. The first category consists of dark and grimy city missions like those found in The Black Parade's "extended universe". The second category includes FMs with a slightly surreal atmosphere that managed to strongly affect me for one reason or another. Some examples include Breathing Corpses, Into the Odd, and The Sun Within And The Sun Without.
Aemanyl: Can you walk us through your typical workflow when creating fan missions? Where do you typically begin, and how do you approach the different stages of development?
Froghemoth: I begin by drawing a sketch of the level layout, followed by carving out rough mission shape with large air brushes. After that I divide the level into smaller areas and go through them one by one, doing brushwork, texturing, and object placement for each. I leave roombrushing and sounds for the last step, unless I want to get the full feel of some important area early on.
Also, there is always a sheet of paper by my keyboard on which I doodle when some interesting thought appears in my mind. If something good comes from it, like a cool architecture element, it goes into the FM.
Aemanyl: What would be your proudest DromEd achievement?
Froghemoth: If I ever manage to successfully make a large, mechanically solid FM with all stealth gameplay components (hiding spots, lights, patrol routes) planned and calculated from the beginning. It's difficult for me to pre-plan such things, and I end up improvising on the go.
Aemanyl: What are your main sources of inspiration for your projects?
Froghemoth: Anything with a particular feel that can work as FM's theme.
Condemned Catalogue was inspired by just a single illustration I saw somewhere online years ago. It depicted a street of Middle-Eastern-style buildings with walls made of bookshelves.
My current project is loosely inspired by the "Children of Taronne Tenement" mission from SWAT 4 and "The Horror at Red Hook", a short story by H.P. Lovecraft.
I also get plenty of inspiration just by walking through my neighbourhood. It's filled with crumbling 100+ year old buildings built from myriads of different materials.
Aemanyl: Would you ever like to collaborate with a specific fan mission author that you haven’t had the pleasure of working with yet?
Froghemoth: I have a modest opinion about my dromeding skills, so I'm not sure what I can bring to the table. But in purely hypothetical terms, I would like to collaborate with StinkyKitty or FrenchDecay if it means we get to see more FMs from them.
Aemanyl: Are you currently working on any new levels?
Froghemoth: Yes, though it doesn't have a name yet. It's a T2 mission that takes place in a run-down apartment building taken over by pagans, with a small city and dungeon sections as well. It's one Jacknall's Paw away from becoming a reimagining of TDS's Into the Pagan Sanctuary, but I'm not sure if it'll be done in time for the anniversary contest.
Aemanyl: What are some of your other interests, pastimes, or hobbies that you enjoy in your free time?
Froghemoth: I enjoy a bit of traditional painting and drawing now and then. I was also DMing tabletop RPGs for my friends until real life put that on hold. I actually used one of Melan's TTRPG settings and only much later realised it was from the same Melan whose FMs I played and loved.
---
Thank you for reading! We hope that you've enjoyed this insightful interview with Froghemoth. Every Friday you can look forward to a fresh interview with fan mission authors, featuring both the rising stars and the seasoned veterans of our beloved community.
Stay tuned and see you in the next issue of FM Author Spotlight series!
Welcome to the FM Author Spotlight, a series of interviews that provides an exclusive peek into the world of fan mission creators. In this episode, we are talking to Intruder, a veteran author who has been working in DromEd since 2005. His most recent mission, The Stone of Alarus, is a very enjoyable map that combines classic Hammerite and Bonehoard themes.
Aemanyl: Please introduce yourself and tell us how you discovered the Thief games.
Intruder: My name is Steffen. My (back then) 14-year old self discovered Thief in late November 2000. I remember it was a Friday afternoon and I was a bit bored, so I browsed the CD accompanying a PC gaming magazine and stumbled upon the Thief 2 demo (or "Dark Project 2" as the German version was called). Just out of boredom I fired up this demo and got frustrated pretty quickly because I never played any first person "shooter" game before and died rather often (...and loading a quicksave took several minutes on my machine back then). However, there was something about this game's atmosphere that got me hooked immediately. I then spent the entire weekend navigating the roofs of Dayport and with Christmas just around the corner I knew what I wanted to have as a Christmas gift :-).
Aemanyl: Do you have a favourite genre, style, or theme of fan missions?
Intruder: I usually prefer missions where the handcuffs are off, i.e. those that encourage exploration and feature multiple ways in and out so to speak. Hence, I’m not a big fan of the typical mansion heists.
I’m quite happy that we as a community have been indulged with so many great city and rooftop missions! This is also why I enjoy OMs such as The Haunted Cathedral, The Lost City, or Life of the Party so much. I know that you’ve asked for FMs and not OMs, but Life of the Party really has been groundbreaking for me because it was the first time that just getting to your objective was even more fun than the actual mission itself.
Aemanyl: Can you walk us through your typical workflow when creating fan missions? Where do you typically begin, and how do you approach the different stages of development?
Intruder: I assume that I begin like most authors by creating a rough mental model of what the mission should be like (i.e. a rooftop mission with focus on exploration or a bank heist that is focused on a specific building). The second step usually revolves around creating sketches of key areas or important buildings of the mission. For example, when working on Return to the Lost City I drew sketches of most areas I wanted to add to the mission (e.g. the ancient workshop/shipyard, several distinct residential areas, etc.) before doing any brushwork in Dromed. When this is done, I start working on one of those areas in Dromed by creating and texturing the brushes, adding initial sounds, furniture etc. until it is getting close to how I’ve envisioned it beforehand.
At this point in time I already spent a lot of time actually “playing” the mission (well, walking around and staring at stuff might be a better way to put it) just to see if it “feels right”. I then move on to the next area/building and develop the rest of the mission in a more organic manner. In my earlier missions, I stuck to a more layered approach of first creating all the brush-work, then adding objects, then the sound, then the AIs, and finally the readables and objectives. However, I’ve skipped that in favour of developing an area as far as possible before moving on to the next one.
Aemanyl: What would be your proudest DromEd achievement?
Intruder: Well, there are actually two. The first would be A Night’s Profit, a rather tiny FM by the usual standards but nevertheless an important step when viewed in hindsight. This was my first mission with proper Thief-like lighting (especially when compared to Keeper Investigations where a lot of areas were just too dark). Likewise, it has been my first “reloaded” mission where I took the core concept of an FM (Shipping and Receiving in this case) and implemented it in a completely new manner, thereby providing a new experience while bringing back tons of OM-memories.
The second one would be Return to the Lost City for its many interconnected pathways and exploratory gameplay. I also like how the integration of the bits and pieces of Break From Cragscleft Prison (i.e. the mines) blended into the Lost City theme.
Aemanyl: What are your main sources of inspiration for your projects?
Intruder: This has definitely changed over the last ten years. It used to be “everything” I was watching, reading or playing besides Thief. Nowadays it is the OMs of the first two Thief games. Maybe it’s just a bad case of “everything was better in the old days”, but I really enjoy recreating and re-interpreting the OMs. To me, they remain a rich and apparently never-ending source of inspiration. Which reminds me that I would still love to build something based on Into the Pagan Sanctuary or The Sunken Citadel, the only two TDS OMs that I enjoyed thoroughly and still have fond memories of.
Aemanyl: Would you ever like to collaborate with a specific fan mission author that you haven’t had the pleasure of working with yet? Alternatively, are there any creators whose style is similar to your vision of design?
Intruder: It’s really hard to name someone specific. I’ve worked together with so many talented and helpful people since my first FM in 2008. It’s just a great community, even after all those years!
Aemanyl: Are you currently working on any new levels?
Intruder: Unfortunately not, but as mentioned above, I’m still pondering the idea of “re-loading” one of those TDM OMs...
Aemanyl: What are some of your other interests, pastimes, or hobbies that you enjoy in your free time?
Intruder: This hasn’t really changed since the initial interview by Athalle back in 2014. It’s still astronomy, hiking, and reading for the most part. However, this list has been extended by “building tree houses” and “building Lego stuff” with my son who now “occupies” most of my free time 🙂.
---
Thank you for reading! We hope that you've enjoyed this insightful interview with Intruder. Every Friday you can look forward to a fresh interview with fan mission authors, featuring both the rising stars and the seasoned veterans of our beloved community.
Stay tuned and see you in the next issue of FM Author Spotlight series!
Thief: The Black Parade zajęło pierwsze miejsce w plebiscycie "Mod Roku 2023" przyznawanym przez ModDB.
Gratulacje dla Feuillade Industries!
Wielkie podziękowania dla wszystkich, którzy głosowali :)
Jeden z rzadkich modów, który jest w stanie przywołać mnóstwo nostalgii po ponad 25 latach od pierwotnej serii.
Możesz teraz oceniać (ale nie pobierać) oryginalne misje z
Thief: The Dark Project
Thief Gold
Thief II: The Metal Age
Thief: Deadly Shadows
Wejdź tutaj i dodaj swoje oceny!
Odpowiedz w wątku lub kliknij ikonę koperty (✉), aby otrzymywać powiadomienia o każdym nowym poście w danym wątku.
25 maja 2023 Skacky i Yandros opublikowali na TTLG nowy Konkurs z okazji 20-lecia Thief: Deadly Shadows.
Masz dokładnie rok na stworzenie misji do Thief 1, 2, Deadly Shadows lub The Dark Mod w stylu Deadly Shadows.
"Intertheft" autorstwa Nomadmana uzyskał łączny wynik 493 i średni wynik 8,22.
"House of the Architect" autorstwa TheDataElemental uzyskał łączny wynik 464 i średni wynik 7,73.
Gratulacje!
Przejdź do wyników
Przejdź do misji
Idea konkursu zawiera się w cytacie poniżej:
Stwórz nową misję, inspirowaną jedną z oryginalnych misji stworzonych przez Looking Glass, wykorzystując zalety New Darka na swoją korzyść.
Przedstawiamy nową przeglądarkę cykli fanmisji!
Dzięki nowej stronie możesz łatwo przeglądać dwa rodzaje cykli FM:
- Konkursy
- inne Cykle – które są głównie kampaniami fabularnymi
Przeglądając cykle, masz dostęp do większości funkcji, które znasz już z przeglądarki fanmisji. Możesz filtrować cykle, które zostały wydane w określonym czasie lub ograniczyć się do gier, które Cię interesują.
Domyślnie cykle i konkursy są uporządkowane od najnowszych do najstarszych. Jeśli chcesz, możesz je uporządkować według oceny, popularności lub alfabetycznie. W kategorii oceny, cykle są uporządkowane według średniej we wszystkich misjach na każdej liście!
Nie zapominaj, że możesz także tworzyć własne kolekcje. Chociaż cykle i konkursy są rodzajem oficjalnych list misji, kolekcje umożliwiają katalogowanie misji według własnego uznania.
![[pl]](/static/img/blank.png){kind=spacer}
